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Groucho Club

-June 2000-

When a small circle of literati were drilling for a Soho water hole in 1984, one of them - the cats-loving Carmen Cahill reminded her publishing mates of the Groucho Marx paradox: "I don't care to belong to any club that would accept me as a member." The concept was The Groucho Club. Finding the premises and most of the money came from chairman Tony Mackintosh of the chocolate fortune who despite his gangling, bespectacled middlebrow appearance had managed a string of successful clubs in London. He located the rambling Dean Street property and from such beginnings The Groucho Club was born. 

If Groucho came back and visited his eponymous club, he would defnitely according to the time of day it was register contradictory reactions. Afternoons is for respectables. On one table Lord Bragg might be sampling the saffron cous-cous, on the next one a portly Sir Terrence Conran might be inviting a much thinner, younger, poorer lady to run his next restaurant, while across the elegant dining room with its Georgian skylight might be Antonio Byatt sampling the rosemary lamb. There might be the delicate fragrance of a Monte Cristo but even if Groucho searched each of the club's en-suite bedrooms he would not find anyone using the cigar tube to Monica a young model. Apart from the cigar smoke, Groucho would be appalled at this spectacle of arty toffs feeding off each other's status. He would smell people disappearing up their own arses. This would definitely not be a club that could get his imprimatur for its posthumous appropriation of his name. 

But if he came back in the evening - the later the better - he would get an agreeable surprise. the fragrance would be the sweet, acrid odour of good skunk and there would be so much white powder in the air he would remind himself to bring ski goggles on his next visit. The late Geoffrey Bernard used to curse the druggies from his wheelchair in the corner because, according to him, they weren't real club drinkers but "drugged up suits". Nowadays, though, the druggies are into eco-combat not Saville Row. The curious cavernous nasal sound of the hubbub might puzzle him until someone explained that snorting cocaine often holes the septum making the voice echo around places it normally can't go. However, the young sluts with their skimpy tops eroticising their pieced navels would definitely make Groucho light up. This would lure him up the staircases to the snooker room on the fourth floor where he would no longer have to smell the decadence but could see it. 
 

It was here that in November 1996 an already coked-up Liam Gallagher of Oasis went on the rampage with snooker cue and caused £5,000 worth of damage to the room's snooker table, 26" TV and lighting. He was banned. Thankfully for life. The snooker table was donated by Janet Street Porter in memory of her late husband, Frank Czivanovitch. In the crazed But she might be up their snorting a line of charlie with Stephen Fry and Keith Allen, one of her later lovers, while each of the lads take turns to blast balls into the pockets. But in the corner Damien Hurst and Ginger Evans might have their flaccid willies out settling a bet on whose was the smallest. Then watching the snooker might be John Sessions fondling two rent boys who had been mobiled up from Piccadilly Circus for a session in one of the club's bedrooms. And under the table a little worse for the dacaquiris might be Robbie Williams chatting up some ligging sluts on the delights of thug sex. Groucho would defnitely approve of this Groucho Club.

The Groucho is schizo. One of it ex-manager, Maria Alvarez, who is now a journalist, once said: "Friday night is the worst. The phrase on everyone's lips is 'who brought this lot in?' During the time I worked there I felt I was in two different worlds. By day the club is an up-market emporium, full of soberly distant media types, doing mineral water and networking. By night it's a cabaret and I've known it to reduce staff to tears." Maria is a close friend of Will Self and Julie Burchill, both white powder enthusiasts, and she has a reputation for possessing a nose like sniffer dog for smelling out people with a wrap in their pockets.
 

The night-time Groucho is like this but how does the respectable afternoon Groucho get away with its unrespectable nightmarish counterpart? How come the drug squad in nearby West End Central have not raided the place? They raid other West End clubs, but never the Groucho. Why hasn't there been an expose of the place by one of the tabloids or even Private Eye? Editor Ian Hislop is a member but rarely goes there because he disapproves of its white powder ambience, yet despite the Eye's many snide references over the years to the place it has never gone for the club's jugular. And, despite all the tabloid smears to the bad behaviour, no newspaper has ever targeted the club for an undercover investigation. Why, given the violence that also occurs there, hasn't questions been asked about its licence? The point, as well, about the Groucho is that its respectable membership knows about its unrespectable side and, although many of these are media hotshots, the club continues to prosper in its risqué but never publicised decadent reality.

One sophisticated coke-clubber explained to Punch how the Groucho's coke scene works: "Charlie is a funny drug. In small amounts it is OK but it's SO good in small amounts most people wanna take more than is OK for 'em. Now most of the Grouch has to get up in the morning and deliver something that needs a head which can think. advertising, media, dot-commers. They can't afford to get too strung out, otherwise they soon lose the jobs that pays for the nosefeed. They're not stupid; they find ways of rationing themselves. 

"They have the money to buy in bulk, which works out cheaper, but with charlie what you have you use. If it is there, you nose away until its gone. Like dieters who won't have food in the fridge, coke users don't stock up. What recreational snorters wanna do, and this is the scene, is go out and if they are up for a line hit a dealer for a sixty-quid gram wrap while they are out. This means they have got to get the cash, find the dealer and pick up. which slows down access, helps regulate the habit, checks the tendency to over-indulge. 

"But any club who wants to keep the kind of membership that the Grouch has has to take choose: either let the dealers work the premises as members or have them do a delivery service, which means letting them in and out of the club. The Grouch goes for in-house dealers, which is the low-risk strategy as far as getting busted is concerned. They have two permanent dealers and some of the staff peddle gear too." 

The Groucho's two dealers are Tim and Spike but they also have some staff aid and abet the discrete delivery of wraps, the checking of buyers out and the funnelling of new punters into the deal. Tim and Spike are reputedly the club's most boring members but on the back-slapping count its most popular ones. They both play a mean game of snooker, as well, because the den of iniquity on the fourth floor is predictably their favourite hang out. 

Management must know what is going on. In fact, one of the club's most popular managers, Liam Carson, had a major coke problem in the early-90s and was pensioned off because of it. However, the intriguing question is whether or not Chairman Tony Mackintosh knows what is going on. He always vehemently denies that drugs are taken in any significant amount on the premises and threatens to go legal at any suggestion that staff collude in the traffic. He is rarely around after 7pm, so he could claim to be unaware of the night-time Groucho. Yet, Mackintosh's proclaimed ignorance sits uneasy with the staggering numbers of members who are publicly known to be users and spend time in the club. Does he really think that the likes of Burchill or the Gallaghers or Robbie Williams have a policy of not using only when they are in the Groucho! Mackintosh may drone for England about his choral singing and his wife's "problems" but he is not stupid.

In fact, he is remarkably astute in the way he keeps the Groucho image the risqué side of sordid, which is evident in his admit-nothing policy in relation to any violence that occurs on the premises. As with any late-night drinking club where there are a lot of drug users, the Groucho has its share of trouble-making members and guests. The club does not employ any bouncers but there is a nucleus of staff members who help out if violent incidents occur. These laddsih, in-the-know guys tend to overlap with the ones involved in the drug trafficking.

Novelist Paul Pickering caused an incident in the club in 1997 and was restrained by two of them one of whom punched him in the left eye while holding a open corkscrew. The metal screw sticking between the fingers of the waiter's clenched fist went through his eye and penetrated to within a few centimetres of his brain. The police were called but as is the pattern with violent incidents in the Groucho they did not find anyone to prosecute.

Pickering was certainly a seasoned trouble maker and just before the corkscrew incident had lashed out at barman, which precipitated his removal to the lobby. There are different version of what occurred at the bar. Francis Wheen in the Eye states that Pickering glassed a barman and inflicting a wound that needed "several stitches". Pickering says that he was merely drunk and aggressive but even the club's manageress that evening, Gordano, claimed that the drunken novelist did no more than lunge at the barman with a glass and was punched back for his pains. 

Wheen goes beyond his embellishment of the barman requiring several stitches by describing the eye-gorging incident so: ". the demented novelist was held in a bear hug by a courageous barman. It was in the ensuring struggle that Raging Bull [the Eye's own tag for Pickering] was accidentally speared in the eye with a corkscrew." As anyone who picks up on the club grapevine, this was not an accident but done deliberately; although not with the intent of leaving Pickering with a glass eye. Wheen obviously thinks differently but then he likes the Groucho and dislikes Pickering.

Eventually, three years later, Groucho's insurers ruled that it was insupportable to reject Pickering's claim for damages and he was paid a six figure sum in compensation. Two other violent incidents inside the club also bear the same hallmark of the staff seeing nothing, the police finding nothing and the press reporting nothing against the club. 

Last October, Punch's own John McVicar was attacked in the club by two barman, one of whom headbutted him in front of other staff but none of them saw anything untoward and the police failed to uncover any evidence to warrant prosecution. McVicar, even by his own account, was being obnoxious to two barmen in a club room that was hosting a private party. One of the barman became exasperated at his behaviour and frogmarched him out of the room. 

A Mr Kozlikin who witnessed the incident says: "McVicar was bewildered at being grabbed and pushed out of the room but he turned, grabbed the barman and started shaking him. Next another barman grabbed at McVicar's left arm and pulled it away from his friend who then butted McVicar in the face. McVicar was outraged and again shook and shouted at the waiter who had butted him, but he didn't hit him. Then a load more of the staff piled in and tried to wrestle McVicar to the floor. Gradually everything calmed down and I saw blood dripping from McVicar's mouth. No one else was injured as far as I could see."

McVicar did not particularly want to discuss it but admitted being rude. However, his problem is that his criminal past means that because of the "two strikes and you're out" law if he injures anyone in a fight he is liable on conviction to life imprisonment. This is compounded by the fact that any fight in which he is involved tends to be investigated by the police with a view to prosecuting him not finding out the truth. 

He claims: "I was assaulted, I could not fight back, a mangers just lied to my face saying that I had struck the first blow, I called the police in case counter-accusations were made later, they spent an hour questioning me and ten minutes with the waiters. Later the police informed me that they would prosecute me. Then some Groucho coke-head wrote up the piece in the Indie to suggest I had caused the trouble! I have sold all rights to my story to Khafka." 

A similar pattern of events occurred in October 1996, when TV critic Victor Lewis-Smith and comedian Jack Dee clashed in the club. Lewis-Smith has often attacked Dee in his Evening Standard column and was not surprised when Dee's thuggy agent, Addison Cresswell, and Dee spotted him the Groucho bar and waved him over for a dressing down. As he walked over Lewis-Smith switched on the miniature tape recorder he had in his pocket. They began telling him that he was entitled to his opinions but "you get too personal. go too far". Lewis-Smith looking for tomorrow's story told them that really he never went far enough, which led to the two to invoking their "Sarf London" connections and how Lewis-Smith might well find himself interred inside an unconsecrated square tube of steel after the car crusher has done its job. 

Lewis-Smith could not contain himself any more, so he pulled out his tape recorder and holding it aloft thanked them for the great copy they had given him. He recalls his moment of triumph: "Minimum effort, maximum effect. Tyson could not made their jaws drop lower." However, half an hour later as he as he was in the lobby Lewis-Smith again taunted Cresswell and Dee raising his tape recorder and saying: "It'll make great copy." They pounced on him grabbed the tape recorder and broke it open to get at the tape. Blows were exchanged and the manageress, Sophie, intervened. Dee scuttled out of the club clutching the tape recorder but before he could make his getaway with the prize two police officers came on the scene. Dee handed back Lewis-Smith the tape recorder minus the tape and was off. Meanwhile Lewis-Smith went back into the lobby and complained to the staff about being assaulted and robbed of his tape. One of the managers retorted: "You should not have been tape recording another member inside the club."

The next day the Sun reported the incident in an Exclusive, describing how "Dee flattened TV critic in an amazing street brawl". There was no mention of the tape recorder or that the brawl really occurred in the club's lobby. Instead the Sun had it that before the fracas "the pair were spotted angrily shouting at each other in the bar of the trendy Groucho club". The police took no action and when Lewis-Smith complained to Mackintosh about the incident, even though they have forged a friendship over their common musical background, he was greeted with an icy blank stare.
 
 

If people and institutions can become corrupt, so can private drinking clubs. There is tired and sordid air about The Groucho Club, which a resurrected Groucho Marx would eventually pick up on despite his initial enthusiasm for its night-time bad behaviour. Groucho loved articulate alcoholics but he would detest inarticulate coke-heads as much as he did braindead drunks. And Mackintosh? Finding out that he was a chorister, liked hunting and fishing and had inherited his money from a toffee dynasty would, unless he did something about it, put Groucho back in his grave. The vitriolic ink would flow and all the members club's board would get a letter: "You can only run a club in my name if you write a letter of resignation that I must accept."


 

 
 

Copyright John McVicar 2001